TIMEPIECE

MaerzMusik – Festival for Time Issues 2021 ended with a project I developed in response to the COVID-19 pandemic: an artistic monument, a community endeavour and a manifestation of solidarity with artists and others hit by the pandemic.

TIMEPIECE is a 27-hour live speaking clock, performed by Berlin residents on the Grand Stage of Haus der Berliner Festspiele, accompanied musically by over 50 commissions, and streamed live around the world.

The project is based on Peter Ablinger's concept piece “TIM Song” (2012) and his idea to perform live and in real-time the text of the BBC Speaking Clock. TIMEPIECE extends this idea to a 27-hour video-streamed, multilingual and musically diverse live performance set on the slowly revolving stage of Haus der Berliner Festspiele, completing a 360° turn every hour, like the hand of a gigantic clock.

Starting on 27 March at 20:00 Central European Winter Time and ending on 28 March at 24:00 Central European Summer Time, TIMEPIECE travels through changing landscapes of music and speaking voices, second by second, minute by minute, hour by hour.

Inverting the logic of wage labour, TIMEPIECE offered Berliners the opportunity to earn money in an accelerated way, while other layers of time stood still due to the pandemic.

  • (image © Camille Blake / BFS)

  • (image © Camille Blake / BFS)

  • The beginning of TIMEPIECE: Peter Ablinger performing TIM Song (image © Camille Blake / BFS)

  • (image © Camille Blake / BFS)

  • (image © Camille Blake / BFS)

  • (image © Camille Blake / BFS)

  • (image © Camille Blake / BFS)

  • (image © Camille Blake / BFS)

TIMEPIECE — A PROJECT BY MANY

Based on: Peter Ablinger, TIM Song. A Pop Song for a speaking voice and accompaniment (2012)
Concept & Artistic Direction: Berno Odo Polzer
Staging: Berno Odo Polzer in collaboration with Daniel Kötter
Scenography: Elisa Limberg
Light: Marcel Weber
Music Curation: Berno Odo Polzer, Harry Glass, Laurens von Oswald, Lendl Barcelos, Daniela Bershan, Henry Andersen
Production Manager: Anna Crespo Palomar
Organisation: Ina Steffan, Juliane Spence • Organisation Speakers: Astrid Rysavy • Venue Management: Karsten Neßler
Head of Technical Production: Birte Dördelmann, Maria Kusche • Programming: Arne Vierck • Sound Editing: Kassian Troyer • Stage Management: Dirk Venske, Holger Pasch
Graphic Design: Nafi Mirzaii
Special thanks to: Anna Crespo Palomar, Daniela Bershan, Ina Steffan.

Music by Peter Ablinger (AT/DE) • Olli Aarni (FI) • Aho Ssan (FR) • Aho Ssan & KMRU (FR/KE) • Mitchell Akiyama (CA) • Anti-Projeto Anarco Fake (Mogli Saura & Francis Etto) (BR) • Felicia Atkinson (FR) • Baba Electronica (DE/BE) • Uriel Barthélémi (FR) • Big Ever (AU) • Galya Bisengalieva (KZ/UK) • Quatuor Bozzini (CA) • rebecca bruton (CA) • Nicholas Bussmann (DE) • Allison Cameron (CA) • CS + Kreme (AU) • Jason Doell (CA) • drb (Renate Wieser & Julian Rohrhuber) (DE) • Julia E Dyck (CA) • Jessica Ekomane (FR/DE) • Marino Formenti (IT/AT) • Ashley Fure (US) • Michael Gordon / BOAC (US) • Sofia Jernberg (ET/SE) • Junior XL (UK) • Kassel Jaeger (FR) • Khôra (CA) • KMRU (KE) • L CON (CH/CA) • |end| (CA/BE/PT) • Les Percussions de Strasbourg (FR) • Sophia Loizou (UK) • Miya Masaoka (US) • Melody McKiver (CA) • Christof Migone (CH/CA) • Gordon Monahan (CA) • nedalot (IR/DE) • Phill Niblock & Katherine Liberovskaya (US/CA) • Tujilko Noriko (JP) • Orakle Ngoy (CD) • John Oswald (CA) • Perila (RU) • Eva Reiter (AT) • claire rousay (US) • stock11 (Christoph Ogiermann, Daniel Gloger, Hannes Seidl, Jennifer Walshe, Mark Lorenz Kysela, Michael Maierhof, Sebastian Berweck, Sebastian Schottke & Uwe Rasch; arranged and produced by Hannes Seidl) (DE) • Surgeons Girl (UK) • Terre Thaemlitz (US/JP) • Loup Uberto (FR) • Charlie Usher (UK/BE) • Myriam Van Imschoot (BE) • Stellan Veloce (IT/DE) • Jennifer Walshe (IE/UK) • xenopraxis (CA) • Stav Yeini (IL/BE) • Flora Yin-Wong (UK/CN/MY) • Yoneda Lemma (CA)

Produced by Berliner Festspiele, supported by the Canada Council for the Arts and the Government of Canada.